Wednesday, February 17, 2010
BACK TO SESAME STREET
I was channel surfing one lazy afternoon not so long ago when I chanced upon Bert looking for his socks. After a short while, in came Ernie, asking, as always, what his friend was doing. I watched, transfixed, as my favorite orange boy with the endearingly mischievous laugh helped his often grumpy yellow friend find the missing pair of his sock.
My parents hired a nanny to look after me when I was a small child, but I grew up with the television as my babysitter. Some of my earliest memories were those spent sitting on the floor, my eyes fixed on the television screen as Big Bird and the Sesame Street kids learn about letters, shapes and colors with the lovable bald guy whose name my failing memory can no longer recall. I ate cookies as Cookie Monster ate his. I mumbled as lovable Elmo mumbled about things. I sang with Kermit the Frog and, much that I disliked him then, I learned about numbers from The Count.
Sesame Street was not just a TV show - it was a seminal part of my childhood. It was a teacher, a playmate, a babysitter. It laid down the foundation of my English language proficiency (I often tell my sister that one of the reasons why my English is better than hers is because I grew up watching Sesame Street, while she grew up watching Batibot, a Filipino adaptation). As I watched creatures - humans and puppets alike - of different colors, genders and kinds mingle with one another, I, unconsciously, learned about the beauty of diversity and the truth that friendship transcends categorization.
I sometimes manage to catch Let’s Play Sesame – this generation’s version of my beloved show - and I never fail to notice the modifications. Not only does it come with a new title, the set-up and the settings also have changed. Gone are the kids playing with hula hoops and skipping ropes. Now, they have computers for toys. Gone, too, is the infectious theme song (“Sunny day, I’m on my way…”) that I still sing as an adult, replaced by one that can be best described as monotonous.
It’s just natural for the show to evolve as time passes and as technology advances, but somehow, there’s something amiss with this new version of the Sesame Street. It surely looks sleeker than that of my generation, but it feels synthetic. It’s as if the show has been robbed of its humanness.
I don’t know what the kids of today think of their version, but I’m mighty glad that my Sesame Street was how it was back then.
Sunday, February 14, 2010
Some more verses...
It's been a while since I last posted. I've been writing a film script lately but I'm only on Scene 15 and only God knows when I'll be able to finish it, what with my difficulty writing the descriptive narratives in Tagalog. (So sue me, I'm Ilocano: I grew up speaking Iloco first, English second, and Tagalog third.)
However, while I've been trying my hand on scripwriting, I was able to write a poem or two and I'm posting one now. Here it goes...
NUMB
Familiar
that’s how things look
but I can’t recognize them
my memory is shrouded
by a black fog
that blurs my eyes
from discerning the figures
from the shadows.
The bottle is full
but it spins too fast and
I can’t bring myself
to choose what’s good
from what’s bad.
My heart is confused from
the compulsive beating
of the forces that
pillage outside.
The sun is out
it’s enticing me laugh
but I can’t force my lips
to form the slightest trace
of a smile.
They are numb
from the cold
from the alienation
from the isolation
from the silence
from not being kissed.
The heat is not enough to melt the icy heart.
The light is not enough to brighten the murky mind.
There’s some hope left, but there’s no more love.
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